TarabX: How This Local Platform Can Empower Independent Music Creators
The Moroccan music scene, and specifically its hip-hop sector, has undergone a major transformation over the last decade. It now stands as arguably the fastest-growing hip-hop landscape in the MENA region, rivaled only by Egypt. While public attention is usually fixed on the artists center-stage, the industry’s true structural evolution is often steered by “shadow agents” operating behind keyboards and within the digital infrastructure.
One of the most influential of these figures is Younes Elachaby, known professionally as JonahleVrai (or MixbyJonah). A sound engineer, producer, and the first officially certified FL Studio trainer in Africa and the Arab-speaking world, Jonah has spent years bridging the gap between local talent and international technical standards.
In a recent exclusive livestream, Jonah sat down with our writer L7ma9 to discuss his latest venture and respond to questions from the community. During the session, he revealed the launch of TarabX, a distribution platform that marks a pivotal shift from music creation to music administration. By providing a localized solution to the global hurdles of digital distribution, TarabX aims to give creators from Morocco and broader MENA region the professional autonomy they have long lacked.

JonahleVrai : The Evolution of TarabX's Founder
To grasp the true value of TarabX, one must first understand the professional trajectory of its founder. Younes Elachaby did not enter the industry as a businessman, but as a technician and an enthusiast. His early influences, ranging from the electronic innovation of Daft Punk to the iconic production style of Mike Dean, instilled in him a rigorous focus on high-fidelity sound design.
By immersing himself in FL Studio, Elachaby transitioned from a self-taught producer to an indispensable resource for Moroccan hip-hop. His portfolio is rich, spanning over 400 projects. His credits include work with legendary figures such as 7liwa (producing “L7ara”) and L’Morphine (producing “Cash & Flow”), alongside collaborations with rising stars like Kira7 (co-producing “Einstein”) and Vira (co-producing “Flashbarz”) as well as female rap star Frizzy (mixing & mastering “Cauchemar”).
However, Elachaby’s impact extends far beyond the “record” button. Recognizing a significant void in Arabic-language technical education, he founded the Mixbyjonah Academy to professionalize the region’s output. In 2023, this mission reached a historic milestone when he became the first Moroccan producer to be officially recognized as an FL Studio Certified Trainer, a title held by only a few in Africa and the Arab-speaking world.
Through his Udemy course and a series of both in-person and online workshops, Elachaby has empowered over 3,000 learners. By the time he turned his attention to platform development, he had already established a name as a mentor and a primary architect of the modern Moroccan sound.

The Distribution Gap: Solving the MENA Music Bottleneck
Despite the creative boom in the MENA (Middle East and North Africa) region, artists have long faced a significant bottleneck: distribution. For years, independent Moroccan artists were forced to rely on Western platforms that often lacked local context, offered distant customer support, or required high annual fees that were prohibitive for “bedroom producers” and upcoming artists.
“We don’t need to wait for others to come in and add ‘-MENA’ to their names for us to use,” Elachaby notes. “We can create ours.”
This philosophy led to the birth of TarabX. Developed independently since 2024, TarabX is positioned not just as a service provider, but as a digital infrastructure designed specifically for the independent creator. The platform aims to dismantle the gatekeeping of traditional record labels, allowing artists to retain 100% of their ownership while reaching global audiences on platforms, from major ones like Spotify, Apple Music, and YouTube to non-majors like Qobuz and Bandcamp.
VIDEO: KOUZ1 – Trap Roumi V2 amassed over 30 million views on YouTube since its upload on Dec 25, 2020 | Mixed by JonahleVrai.
The TarabX Toolkit: 100% Royalties
The value proposition of TarabX lies in its combination of professional-grade tools and a pricing model adjusted for the local economy. For a flat fee of $15 per year, TarabX offers a suite of services that typically cost significantly more on international platforms:
1. Ownership and Royalties
The platform operates on a “creator-first” model. Artists keep 100% of their royalties. This is a critical distinction in an industry where many predatory contracts or high-commission platforms strip artists of their long-term earnings.
2. Specialized Technical Features
Audio Fingerprinting & Content ID: TarabX provides YouTube Content ID and audio fingerprinting to ensure that artists’ work is protected and monetized whenever it is used across the web.
Seamless Migration: For established artists looking to switch platforms, TarabX offers custom ISRC/UPC migration, ensuring that stream counts and playlist placements are preserved during the move.
Data Permanence: A common fear among independent artists is having their music deleted if they fail to renew a subscription. TarabX ensures that “music stays if the sub ends,” providing a safety net for creators facing financial fluctuations.
3. Dedicated Support and Community
Unlike large-scale automated distributors, TarabX leverages Elachaby’s existing community. By offering face-to-face counseling and dedicated support through a private Discord server, the platform provides a level of mentorship that is absent in the purely transactional models of its competitors.

Beyond Distribution: Building a Sustainable Ecosystem for Creators
Beyond simple distribution, TarabX is evolving into a full-service agency for the modern Moroccan artist. One of the most ambitious goals of the platform is the integration of Sync Licensing.
In the current media landscape, having a song featured in a Netflix series, a video game, or a commercial can be more lucrative and impactful than millions of streams. TarabX aims to bridge this gap by helping local artists find placement in games, TV shows, and other media. By curating local talent for international media opportunities, Elachaby is positioning TarabX as a conduit between the MENA underground and the global entertainment industry.
The launch of TarabX is only one piece of a larger puzzle for Elachaby. His ultimate vision includes the establishment of a physical, state-of-the-art music production school in Morocco. This facility would serve as a hub for innovation, moving technical education from the digital space into a collaborative, hands-on environment.
The push for local platforms like TarabX is, at its core, a push for agency. By building their own distribution (TarabX) and streaming infrastructures (following the path of regional giants like Anghami), MENA creators can represent their craft and cuture better and protect themselves against market monopolies.
VIDEO: L7ma9 and Jonah go live to talk TarabX: the why, the how, and a live Q&A with the chat.
Conclusion: A New Blueprint for Success
The launch of TarabX is less of a business move and more of a declaration of independence for the MENA music industry. By moving from the “shadows” of the recording studio to the forefront of music administration, Younes Elachaby is providing a blueprint for how technical expertise can be leveraged to build community power. It is offering more than a way to upload songs to the internet, as it is also providing a roadmap for career sustainability.
For the upcoming artist, TarabX represents an affordable entry point into the professional world. For the industry at large, it represents a step toward digital sovereignty. As the platform grows, it stands as a testament to the fact that the future of MENA music will not just be heard, it will be owned and managed by the people who create it.
Support local start-ups and help create a less monopolized world. If you’re an artist, start distributing your music through TarabX at: Tarabx.com
Written by:
Ben Tarki Moujahid
Author
View all postsA music critic and a researcher, Moujahid writes in-depth articles analyzing Moroccan and global hip-hop, blending insights from industry experts into compelling, well-rounded critiques. Beyond writing, he plays a pivotal role in shaping the magazine's editorial vision, refining its tone, structure, and style to elevate the reader's experience. As the lead editor, Moujahid meticulously oversees and polishes nearly all published articles, ensuring the magazine maintains its reputation as a trusted and influential voice in music journalism.


