Moroccan Rapper Bo9al vibing with his fans at Egregore Festival, Casablanca

EGREGORE Festival: 40 Rappers, 40 Years of Moroccan Hip-Hop

Moroccan Rapper Bo9al vibing with his fans at Egregore Festival, Casablanca

EGREGORE Festival: 40 Rappers, 40 Years of Moroccan Hip-Hop

EGREGORE Festival: 40 Rappers, 40 Years of Moroccan Hip-Hop

Brace yourselves, for the cultural heartbeat of Casablanca is about to explode! On July 26th and 27th, the city will host the Egregore Festival, an event that transcends a mere concert. This highly anticipated gathering marks not only the dynamic second iteration of Egregore—following its impactful debut on August 18, 2024—but, more profoundly, a monumental, four-decade celebration: the grand 40th anniversary of Moroccan hip-hop.

The festival’s lineup is nothing short of legendary, featuring 40 Moroccan rappers in celebration of 40 years of hip-hop culture in the country. These include titans and fresh voices with names like ElGrandeToto, L’Morphine, Nessyou, Raid, Lmoutchou, Shobee, Madd, Bo9al, Dada, Furelise, Valerieblud, Figoshin, Khtek, Vargas, Abduh, Shinigami, Vira, Tchubi, Loun, Diib, Dollypran, Caprice, and many more, all set to ignite the stages.

DimaTOP Magazine is proud to participate in this historic event, we’ll be on-site with special print editions to celebrate this 40-year legacy. We extend our sincerest gratitude to the organizers for inviting us to be part of this glorious chapter in Moroccan music history. 

EGREGORE – First Edition | 18 August 2024 | Line-up included Lmorphine, Raid, Furelise, Bo9al, Tony, Vira, Khtek, Lquinze, Art-Smoke, Gello, Lee Browzz, LMLTM, Khtek, Tchubi, Mehdi Lekok, Bludinero; with BabyBoi & Soufaine AZ as producers/djs.

Laying the Foundation: The Early Years of Moroccan Hip Hop

The origins of Moroccan rap have recently been illuminated by a groundbreaking discovery: Bob Fadoul’s “Amarni Nanssa” from 1985. While his album Reggae Marocain rooted itself in funk and reggae, this particular track’s rhythm, lyrics, and flow align unmistakably with the rap standards of the 80s, cementing its place as the first Moroccan rap song. This pivotal finding firmly establishes 1985 as the birth year of Moroccan hip-hop, lending an even deeper historical weight to this year’s Egregore Festival.

The seeds sown in the mid-1980s quickly germinated. By the late 1980s, global hip-hop culture, including breakdancing and street art, began to permeate Moroccan cities, laying a comprehensive foundation for the local scene. The 1990s saw the emergence of crucial collectives like Les Dragons Blancs, pioneers in rapping in Darija (Moroccan Arabic) to connect with local audiences and forge a distinct Moroccan sound. Early iconic spots like Amnesia, Yasmina and Rue de Paris became a vital incubator for talent, leading to Double A’s historic release of Morocco’s first rap album in 1996 and their groundbreaking appearance on national television by the end of the year. This era saw rap scenes flourish across cities like Salé, Casablanca, Tangier, and Meknes, each fostering unique regional identities.

Moroccan Rapper Lmorphine live at Egregore festival, 2024
Moroccan Rappers Gello (left), Lmorphine (middle), and Mehdi Lekok (right) live at Egregore festival, 2024

From Underground to Mainstream: A Decade of Transformation

The early 2000s marked Moroccan rap’s undeniable leap from subculture to national phenomenon. Influencial groups like Casa Crew and Fnaire emerged, cultivating diverse styles. While some artists like 3awd Lil sparked debate with their bold social commentary, commercially appealing acts like H-Kayne gained significant airplay after they dropped their debut album HK-1426 (2004), especially with their lead track like “Issawa Style”. Don Bigg’s 2006 album Mgharba Tal Moute became a national anthem, solidifying rap’s role as a powerful vehicle for social critique and paving the way for unprecedented collaborations with major brands.

This period also witnessed the birth of a local hip hop genre, later to be known as Morap, a transformative movement led by artists like Fnaire and H-Kayne who seamlessly blended rap with traditional Moroccan music, significantly broadening its appeal. H-Kayne’s 2005 signing with Platinum Records was a watershed moment, marking the first time a Moroccan rap group secured a deal with a major international label. Despite mainstream success, the underground continued to thrive with collectives like Piranha Labo and Opsirap, ensuring the genre remained rooted in its authentic street origins.

Moroccan Rapper Bo9al vibing with his fans at Egregore Festival, 1st Edition, 2024

A New Era: Trap, Digital Dominance, and Royal Recognition

The 2010s ushered in significant transformations, including the global surge in trap music that profoundly influenced Moroccan rap. Collectives like Wa Drari Squad and Zawa City embraced a DIY, entrepreneurial approach, fostering independence from traditional institutional support. A landmark moment occurred in 2013 when King Mohamed VI awarded the Royal Ouissam to rappers H-Kayne, Fnaire, Don Bigg, Muslim and Komy, signifying the Moroccan state’s official recognition of rap’s cultural contribution.

The advent of streaming platforms and the global pandemic from 2020 to 2025 propelled Moroccan rap to unprecedented international heights. Albums like ElGrandeToto’s Chameleon (surpassing 100 million streams) and Inkonnu’s Arabi (over 50 million streams) shattered records. Moroccan rappers began sweeping international awards, with Shayfeen (2017) and Dizzy Dros (2021) winning Afrimma Awards, and ElGrandeToto and Khtek dominating the first Billboard Arabia Awards (2024). Major international labels like Universal Music Group and Sony Music Middle East recognized the scene’s immense potential, signing Moroccan acts and leading to billions of streams and gold/platinum certifications.

Moroccan hip hop show, EGREGORE Festival 2025 - Community engagement with Billboard and 2M TV
Announcement of EGREGORE Festival (2nd Edition) - Community engagement through Billboard Arabia, Laafya Music (Moroccan rap charts and news page), 2M TV and MRT.Portail (one of the biggest and earliest Moroccan rap pages)

The Egregore Festival: A Community's Vision

The announcement of the Egregore Festival’s dates and star-studded lineup ignited a massive buzz across the Moroccan music scene. Coverage from prominent platforms like Billboard Arabia, 2M.ma, and numerous Moroccan rap Instagram pages underscored the immense anticipation for this event. What makes this festival truly exceptional is its profound origin: this is Morocco’s largest 100% hip-hop festival, created by the culture, for the culture. Organized by DOSEI, a passionate grassroots collective, with technical support from PLE, it stands as a true independent movement, free from corporate or government influence. This foundation imbues Egregore with an authentic spirit that resonates deeply with Moroccan artists and fans alike.

The festival also arrives at a time when Moroccan hip-hop is actively defining its unique sonic identity. The “Morap” movement, short for Moroccan Rap, is gaining traction. It’s a subgenre characterized by the fusion of traditional Moroccan instruments with modern rap delivery, emphasizing both cultural identity and sonic innovation. A key initiative in this definition is the Morap Challenge, a cultural project inviting Moroccan producers to craft “Morap type beats” that integrate traditional Moroccan sounds, heritage, and contemporary soul. With over 30 beats already submitted by both established and new producers, the Morap Challenge highlights the community’s commitment to creating a distinct, future-facing sound for Moroccan hip-hop.

The Egregore Festival, featuring 40 incredible Moroccan rappers, stands as a vibrant testament to the enduring legacy and bright future of this unique genre. In light of this significant event and the groundbreaking historical discoveries it celebrates, we at DimaTOP Magazine, along with the community, proudly recognize July 26th-27th as the official anniversary of Moroccan hip-hop. We eagerly await the electrifying performances and the powerful sense of community that the Egregore Festival promises to deliver.

Written by:

Ben Tarki Moujahid

Author

  • image of the Founder and Lead Writer of DimaTOP Magazine

    A music critic and a researcher, Moujahid writes in-depth articles analyzing Moroccan and global hip-hop, blending insights from industry experts into compelling, well-rounded critiques. Beyond writing, he plays a pivotal role in shaping the magazine's editorial vision, refining its tone, structure, and style to elevate the reader's experience. As the lead editor, Moujahid meticulously oversees and polishes nearly all published articles, ensuring the magazine maintains its reputation as a trusted and influential voice in music journalism.

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