Magazine: March 2025

the Cover of DimaTOP Magazine Vol.3, Moroccan rapper Levy on featured on the cover

Recognition

Artist of the Month:

Artwork of Levy’s latest single ‘3o9dat lkhawaja

Track of the Month:

Artworok of K-Thug’s winning single ‘Toxico

MV of the Month:

A still shot from the music video of X7kira’s ‘Phénomène

Album Rating

Morocco x The World – DJ JAM: Japan’s Trap Visionary

Photograph of DJ JAM – Sky Limit ft. WILYWANKA (& KEIJU)

Top Talk – OldyGotTheSound: The Art of Authentic Production

Photograph of Moroccan producer Oldygotthesound (2024).

Word of the Month – Mixtape

This month, we delve into the significance of the mixtape within hip-hop culture. A mixtape serves a vital dual purpose for artists: it can be an invaluable testing ground for new sounds and styles, or a strategic promotional tool building anticipation for an upcoming official album. Traditionally, the creation of a mixtape is a collaborative effort, bringing together a rapper and a DJ to weave together a cohesive project featuring a blend of original tracks, raw freestyles, and inventive remixes.

In the United States, the mixtape format has been instrumental in shaping the trajectory of hip-hop. Landmark projects like Lil Wayne’s ‘Da Drought 3’, Chance the Rapper’s ‘Acid Rap’, J. Cole’s ‘Friday Night Lights’, and Future’s ‘Monster’ have all left an indelible mark on the industry, often launching careers and setting new creative benchmarks. Similarly, in France, mixtapes from influential artists such as Vald and Booba have garnered significant traction and critical acclaim, while the pioneering work of DJ Cut Killer in the 1990s remains a legendary chapter in French hip-hop history.

Morocco’s own hip-hop landscape has also been significantly influenced by the mixtape format. Nessyou stands out for his meticulous and artistic approach, particularly evident in his impactful ‘Rap Khatr’ mixtape, a collaborative effort with DJ SIM-H. Other notable Moroccan mixtapes that have resonated with fans and artists alike include Lmoutchou’s ‘Lmada lkham’, a project brimming with enduring classics, and 7liwa’s ‘Weld Fatima’, a groundbreaking release that played a pivotal role in pushing the boundaries of trap music within Morocco.

Ultimately, the essence of a mixtape lies in its function as a space for unbridled artistic experimentation. Unlike a formal album, where originality in beat selection and overall production is often a key expectation, a mixtape provides artists with the freedom to explore their creative impulses without constraints. This liberty extends to the number of tracks included and the utilization of sampled beats, making the mixtape a unique and dynamic form of hip-hop expression.”
Written by Bennou16

Letter from the Editor

Moujahid Ben Tarki
Editor-in-Chief

Acknowledgments

DimaTOP Magazine extends its sincere gratitude to the following individuals for their invaluable contributions to this issue. Their expertise, creativity, and dedication have been instrumental in bringing this publication to life.
Producers & Engineers (album review):
Dr. Jay, Glitcci, MTC, Mynex, Nexeronthetrack, Produzz, S13, Saad Sound, Steff3Beatz
Rappers & Artists (album review):
6win, 7tipola, Abde Music, Browny, Kartman, Le.S777, Tisaoriginal, Yorpen, Wire
Music Critics (album review):
3ab9or, Beebop, Simohamed F’Rap, Wvly
Industry Professionals (album review):
Drywich, Havana
Photographs/Designs:
Frankie
Special Contributors:
Bennou16, OldyGotTheSound, Issam Bentarki, Dj Jam

Author

  • image of the Founder and Lead Writer of DimaTOP Magazine

    Writes in-depth articles analyzing rap albums, synthesizing input from music experts into detailed critiques, as well as shapes the tone, structure, and style of the magazine’s content to enhance the reader’s experience. Additionally, oversees and edits almost all articles on the website, ensuring the magazine remains a trusted voice in music journalism.

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